Zoroid turnamble in ornupital herpinaceae

Published on 2021-12-20 by Eric Bourdon | Comment
Category(ies) : Analysis, Painting  


zoroid turnamble ornupital herpinaceae painting eric bourdon

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Zoroid turnamble in ornupital herpinaceae

Original acrylic painting on linen canvas
Size : 28.74 x 23.62” / 73 x 60 cm

© Gallery of painter Eric Bourdon
Lille, France, 2021



     Eric Bourdon’s acrylic painting on canvas titled “Zoroid turnamble in ornupital herpinaceae” reaffirms a certain interest in the role that aesthetic properties could play in art today. Openly rejecting the aesthetic approach to art on the grounds that it would be morally and politically regressive, obscure postmodern theorists with prominent double chins and thick faces harbored in small, shameful but heavily hydrated meetings the reactionary hope of returning to art its ideological dimension of yesteryear.

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X45BKR$

Published on 2021-11-29 by Eric Bourdon | Comment
Category(ies) : Painting  


X45BKR$ acrylic painting on paper eric bourdon

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X45BKR$

Original acrylic painting on extra strong drawing paper
with grain Carte d’Art 340g by Sennelier (D340)
Artwork size : 7.87 x 7.87” / 20 x 20 cm

© Gallery of painter Éric Bourdon
Lille, France, 2021



     Éric Bourdon’s acrylic painting on paper “X45BKR$” is the expression of what brings back to the painter’s original anchoring in his work. The world of art and aesthetics is an access route already favored by Merleau-Ponty for probing the depth of the visible and sketching a new ontology in The visible and the invisible.

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Normandy landscape with a small sunny stream.

Published on 2021-09-09 by Eric Bourdon | Comment
Category(ies) : Analysis, Painting  


normandy landscape small sunny stream eric bourdon

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Normandy landscape with a small sunny stream.

Original acrylic painting on linen canvas
Artwork size : 31.89 x 25.59” / 81 x 65 cm

Refused at the Salon d’Automne (Paris) 2021  Refused


© Online art gallery of painter Eric Bourdon
Lille, France, 2021



     The painting “Normandy landscape with a small sunny stream” shows, in a sensible manner, different ways of representing, staging the body, nature and matter. But from a more conceptual perspective, the painting is equally guided by the question of Jacques Derrida’s deconstructionist aesthetic scheme and acts as a postmodern reverse of the setting (raising a radical suspicion about structured language and functionalist and descriptive approaches to traditional hermeneutics).

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LE GOUVERNE MENT

Published on 2021-08-07 by Eric Bourdon | Comment
Category(ies) : Painting  


le gouverne ment acrylic paper eric bourdon

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LE GOUVERNE MENT

Original acrylic painting on extra strong drawing paper
with grain Carte d’Art 340g by Sennelier (D340)
Artwork size : 7.87 x 7.87” / 20 x 20 cm

© Online art gallery of painter Eric Bourdon
Lille, France, 2020



     The painting “LE GOUVERNE MENT” probes the inextricable depths of the human soul in order to bring the viewer to the paroxysmal serenity of being. On a background of green pastures and lovely sky blues enameled with small bursts of pure white light, the work intuitively explores the truth and freedom of the human spirit in the context of both its societal complexity and singular intimacy. The painter expresses his feelings about universal moments of life, and his own interiority in the form of symbolic and cathartic language.

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Pan-chromatic plastic emulsion…

Published on 2021-04-17 by Eric Bourdon | Comment
Category(ies) : Analysis, Painting  


Pan-chromatic plastic emulsion Eric Bourdon

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Pan-chromatic plastic emulsion
with jubilant pigmentary hydroflures from Agadir Nymphaea

(Full title)

Original acrylic painting on linen canvas
Artwork size : 31.89 x 25.59” / 81 x 65 cm

© Online art gallery of painter Eric Bourdon
Lille, France, 2020



     Such a title immediately sends us back faster than one would think to the history of Marxism and the thorny debate on the inability to fully account, in the aesthetics of pigment emulsion, of the specificity of dynamic fluctuations of meaning. The properties of pan- (even pro-) chromatic plastic emulsion force us today to revise our interpretation of the pigment classification recognized until then by specialists and chroniclers of jubilant sciences.

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