His universe is merry and fanciful, the stroke, spontaneous, has a great time on the canvas, virtuoso of the line, curves and arabesques, until the bright and luminous colours burst onto the scene and repossess it. 
ERIC BOURDON, FRENCH ARTIST PAINTER
‘Lines of life’
The creations of French self-
It is around Lille, the Capital of Flanders, that the French painter sometimes teaches drawing and painting courses, mostly in primary schools. In Roubaix, Lesquin, Villeneuve d'Ascq, Eric Bourdon has visited schools to carry out various types of visual art projects.
Each painting course aims to creatively develop the ability human beings have, at an early stage, to identify faces, silhouettes, and shapes in a fuzzy visual content : partial darkness, clouds, the cream of a cappuccino, an old discolored wallpaper, an abstract painting... But this also allows Eric Bourdon to initially introduce the pupils to some of the 'great painters' (via their works) of modern and contemporary art. Wassily Kandinsky, to play with geometric figures, Henri Matisse, to juggle with forms, the contemporary painter Sean Scully, to evoke the primary colors and have fun creating contrasts... Not to mention certain artists such as Jean Dubuffet, who gave Art Brut (Outsider Art) its name, or the visual artist Victor Vasarely, father of Optical Art (Op Art)...
After having walked along in the footsteps of art history and reviewing it in a playful way, the children can then create their entirely personal works, painting with watercolors (gouache primarily). They will also collectively paint a picture on canvas, wood or cardboard, and prepare their first exhibition. For this, Eric Bourdon presents to the budding young artists two Spanish painters who have a direct link with his way of drawing in improvisation : Joan Miró, especially, but also Pablo Picasso (the Picasso of the video 'The Mystery of Picasso', a documentary created during his lifetime by Henri-
Picasso seemed to improvise his drawings from the beginning, while generally bringing them swiftly back to the few real and well known figures that captivated him, or even obsessed him : Woman / Horse / Bull (while in primary school, these first improvised drawings can easily finish as a : Dragon / Car / Princess...). But Joan Miró had a more expansive and less specific 'surrealist' graphic universe, which allowed him to improvise figures or symbols that 'spoke' to the viewer, without, however, us being able to describe what exactly these mysterious faces and characters wanted to tell us, what planet they came from, or what they were supposed to represent...
A large number of paintings born in improvisation under Miró's brush were endowed with a great power of expression, without even representing anything at all ! And for Eric Bourdon, that's the whole game of improvisation : to start drawing, painting, with a creative freedom and an open 'field of possibilities', but without falling back too fast, en route, on the repertoire of known and recurring figures that close the game, on the reference points that reassure but limit the possibilities and cut short the adventure of the imagination...
