Jun
18
George Vicat Cole, landscape painter
Published on 2023-06-18 by Eric Bourdon | Comment
Category(ies) : Analysis, Biographies of painters, Painting
Springtime
Exhibited in 1865
Oil on canvas, 66.1 x 101.7 cm
Manchester Art Gallery
George Vicat Cole was an English painter. Vicat Cole was born at Portsmouth on 17 April 1833, eldest of five children of Eliza Vicat (of an old French Huguenot family, she will die in 1883) and the landscape painter George Cole (1810–1883). Initially exhibiting as ‘George Cole, junior’, from the mid-1850s he adopted his mother’s French Huguenot maiden name to distinguish his name from that of his father.
Feb
22
Café scene by Raoul Dufy
Published on 2018-02-22 by Eric Bourdon | Comment
Category(ies) : Analysis, Biographies of painters, Drawing, Painting
Café scene
Watercolor and gouache on paper by Raoul Dufy
Executed around 1934 – Artwork size : 50,8 x 66,8 cm
Sold £50,000 at Sotheby’s London on Feb 6, 2014
In 1926, while watching a little girl running on the dock of Honfleur, Raoul Dufy realizes that the mind records color faster than the outline. He will then dissociate the colors and the drawing. Dufy adds his drawing to large bands of horizontal or vertical colors, or to large colored spots.
Watercolor and gouache become more and more important after 1930. The “puddles of color” of the background are spread on a paper previously wet and stretched on a drawing board. When they are dry, he draws with a fine brush the various elements of the subject.
Feb
7
The peaceful landscapes of Alfred Sisley
Published on 2018-02-07 by Eric Bourdon | Comment
Category(ies) : Analysis, Biographies of painters, Painting
The bridge at Moret (Le pont de Moret)
Oil painting on canvas by Alfred Sisley, 1893
73 x 92 cm, Musée d’Orsay, Paris
Born in Paris in 1839, Alfred Sisley is a British artist painter and engraver, attached to the Impressionist movement and living and working mainly in France. He will be admitted to the Salon of French Artists in 1866, 1868 and 1870.
The pictorial language of Alfred Sisley has always been strongly in keeping with Impressionism, but he has also always shown his attachment to his first inspirers, Jean-Baptiste Corot and Charles-François Daubigny. Sisley is exclusively a landscape painter, one who, with Claude Monet, best sought and succeeded in expressing the most subtle nuances of nature in the Impressionist landscapes. His paintings show his keen interest in the colorful impressions of trees and buildings, and the changing play of light and clouds above the landscape.








