Jul
17
Western collections of Assyrian art more valuable…
Published on 2015-07-17 by Eric Bourdon | Comment
Category(ies) : Analysis, Exhibitions
Western collections of Assyrian art more valuable than ever…
thanks to ISIS !…
Source : British Museum could send loans worth £1bn to the Gulf
An article by Martin Bailey, published
on theartnewspaper.com (15 July 2015)

The Banquet Scene
Gypsum wall panel relief fragment, 645BC-635BC
© The Trustees of the British Museum
Islamic State destroyed 50 complete panels at Nimrud in northern Iraq in April, which has made the remaining reliefs in museums, including the Louvre [Paris] and Metropolitan Museum of Art [New York], even more important. Although the £100m valuation may seem high for the British Museum’s Banquet Scene, Sotheby’s sold the Guennol Lioness (3000–2800BC) for $57m in 2007. The limestone figure of a lioness, believed to have been discovered near Baghdad, measures just 8cm in height. […]
Jul
13
Athens’ ruins could reveal true art…
Published on 2015-07-13 by Eric Bourdon | Comment
Category(ies) : Analysis
In Athens, the ruins of the State and market could reveal true art…

George Vamvakidis and Stathis Panagoulis of The Breeder, Athens.
Photo : via artnet.com
“The art market is basically dead right now in Athens”, said George Vamvakidis in a telephone interview. Vamvakidis is a co-founder of The Breeder, a successful gallery that specialized in Greek contemporary artists and is known on the international art fair circuit. “The state is unable to fund the arts and the private collectors, the biggest ones, choose not to support the local market. So as a result almost every single commercial gallery of our generation has closed its doors. […]”
Jul
7
Artists : how to get shows in art galleries worldwide ?
Published on 2015-07-07 by Eric Bourdon | Comment
Category(ies) : Analysis, Exhibitions
“No one is a prophet in their own land” is a well known popular expression. As an artist struggling to exhibit your work, you could also think “No one is an artist in their own land”. Alan Bamberger defends an opposite – or maybe complementary – view :
Many artists believe that all they have to do to get known is to show their art in major national or international art centers, and somehow some way, collectors will discover and appreciate it immediately. Continuing with this magical thinking, they fantasize that the exposure will result in instant recognition, a steady stream of sales, and the beginning of a great career. Why do they think this? It’s kind of a “grass is greener on the other side” mindset, often having to do with the mistaken belief that their art is not in front of the “right audience”, and that the only reason they haven’t been selling is that there’s not much of an art scene in their hometowns or wherever they happen to live, and that hardly anybody who lives there buys art. But the truth is that people do buy art, they buy it everywhere, and the hometown does count, so let’s take a look at the reality of the matter.
Full article here :
Artists : How to Get Shows at Galleries in Major World Art Centers






